Of course, this is problematic on several levels. However, it also articulates some of the problems associated with liberal feminism as a perspective and the consequent misappropriation and misapplication of this perspective by women and various social institutions.
If she wants to spend a day painting pottery, then she should because she deserves it and it is her right as a woman to decide what is best for Charlotte. And Mr Big is such an interesting element. Charlotte calls on these same principles in her justification of her decision.
Women often have to choose, as Charlotte does, between career and family—and the writers of Sex and the City suggest that it is OK, and maybe even preferable, for women to choose or even prefer work. He is like this phallus at the centre of it all.
Liberal feminism is based on the idea that differences between women and men cannot be explained by biology and thus differential treatment is unjust. Mr Big is arrogant, egocentric and apparently unable to see a good thing when she is standing a feminist examination of sex and the city in Akron front of him in four-inch heels.
In this exchange and for the remainder of the scene, Charlotte's decision to enter a life of domesticity—historically the domain and duty of women—is perceived negatively by the other women. Sex and the City. When Charlotte says, "the woman's movement is about choice" she implies that any choice—whether it be motherhood, career, or taking a cooking class—should be OK because she claims to be making the decision herself.
Charlotte states: Well, soon I'll be pregnant and that'll be huge.
Everything else is ultimately fine, mainly because they have the money to fix most problems. Throughout the history of television, there have been few independent women characters with both masculine and feminine characteristics, without such traits being the subject of humor or ridicule.
Douglas argues, "Women's liberation metamorphosed into female narcissism unchained as political concepts and goals like liberation and equality were collapsed into distinctly personal, private desires.
In this episode of Sex and the City , when Charlotte refers to the women's movement, she seems to be referring to the idea that women have been "liberated" or freed from the constraints of patriarchy and are able to work and attain success at levels similar to those attained by men.
And to dismiss the programme entirely on the basis of its shortcomings as a feminist text would also be to lose out on what it does deliver. In the episode discussed here, "Time and Punishment," Charlotte employs liberal feminism to defend her decision without using the "f-word.
As Susan Douglas argues, industries ranging from beauty L'Oreal's "I'm worth it" to tobacco Virginia Slims' "You've come a long way, baby" have traded on feminist ideas of "women's rights" to indulge, to take "pleasure" in themselves and to pursue their interests, to do what men can do.
Feminist Politics and Human Nature. They allow the traditional feminine voice to be rejected rather than rewarded, while the voices of the career-focused workers-not-wives dominate.